Tuesday, March 6, 2012

Curved Forms 5

Source: Jong Soo (Peter) Lee @ Flickr 
Sydney Opera House, Sydney, Australia, 1973 designed by Jørn Utzon
a solution that consisted of a ribbed system of precast concrete shells created from sections of a sphere. This system permitted each rib to be built up of a number of standard segments cast in a common mold at the site. Utzon wanted the shells to be portrayed like large while sails in contrast to the deep blue waters of the ocean it stood upon. In order to achieve this aesthetic the shells are covered with 1,056,066 ceramic tiles made in Sweden from clay and crushed stone. Along with the placement of the tiles, it took eleven years to complete the iconic roof structure.  -- ArchDaily

Source: Futo-Tussauds
Lotus Temple, New Delhi, India, 1986 designed by Fariborz Sahba
the Lotus temple is organized as a nine-sided circular structure that is comprised of twenty-seven “leaves” (marble-clad free-standing concrete slabs), organized in groups of three on each of the temple’s nine sides.  The structure is inspired by the lotus flower and is arguably one of the most visible instances of biomimicry in contemporary architecture.  -- ArchDaily

Source: Richard Meier & Partners
Jubilee Church, Rome, Italy, 2003 designed by Richard Meier & Partners
These three walls vary in height and are, in fact, segments of a sphere. Each shell is built of pre-cast  concrete segments, post-tensioned in situ; by virtue of the curvature in plan, each is independently supported. -- architect's web site
Read a post from ArchDaily

Source: shepleybulfinch.com
Holocaust and Human Rights Center of Maine, University of Maine, Augusta, Maine, 2007 designed by Shepley Bulfinch
The design concept, based on the metaphor of a flower, creates fringes of a "calyx": walls pull away to define the exhibit space, gather light into the building, and provide circulation. Symbolizing the fragility of democracy and human rights, the innermost permanent gallery is a "bud" tucked into the folds of a larger program space for learning and reflection. The outer, shell-like facades "protect" the interior, flower-like space. The permanent gallery features a sophisticated multi-media program.  -- architect'e web site

Monday, March 5, 2012

Skin of Architecture: Double-skin 7

Source: CHSarquitectos archdaily.com
Ciudad Digital, Almería, Almería, Spain, 2005 designed by CHSarquitectos
A peculiar metallic lattice wraps everything: the ” box of information “, the pedestal and the offices. We design the cage as front that limits the exterior(foreign) edge of the pit and raise a metallic accumulation of profiles, carpentries of aluminium and sheets perforated of diverse colors, which works like surrounding protective of the solar radiation and of the strong light of the coast. -- ArchDaily

Source: Raúl Belinchón archdaily.com
CEDT Daimiel, Daimiel, Ciudad Real, Spain, 2007 designed by Estudio Entresitio
On the outside, the project tries to solve the image of a public building fitted in a housing neighbourhood, being covered with a metallic skin of louvers made out of micro perforated galvanized plates that helps loosing the scale of every single window, showing a textured volume, protecting the interior of outer views and improving thermal conditions inside the building avoiding direct isolation. -- ArchDaily

Source: Hiroshi Ueda archdaily.com
Tokyo Steel House, Minato-ku, Tokyo, Japan, 2007 designed by MDS
At street level the building has a reinforced concrete garage (below ground), while above ground it consists of a four-level living space made of thin steel walls. The exterior walls of this ten-meter-tall building are bolted together from supporting beams made of lightweight, breathable material, which, including the wooden finish, is 100 mm thick. The exterior appearance was decided in accordance with setback zoning laws, and the south facade faces the sun, is covered with dual-layer expanding metal that limits sight lines from outside. -- ArchDaily

Source: Darren Soh archdaily.com
The Screened House, Singapore designed by Brewin Design Office
The house completely opens up to the exterior through the use of bi-folding full height metal screens on both floors of the front and back facades. Without providing any glazing behind the metal screens and with the use of movable interior partitions, the large openings on both facades promote a consistent wind flow through all the interior spaces, while the screens filter natural light into the house. -- ArchDaily

Source: wikipedia.org
The New York Times Building, New York City, New York, USA, 2007 designed by Renzo Piano Building Workshop, FXFOWLE Architects
The steel-framed building, cruciform in plan, utilizes a screen of 1 58 (41.3 mm) ceramic rods mounted on the exterior of the glass curtain wall on the east, west and south facades. The rod spacing increases from the base to the top, providing greater transparency as the building rises. The steel framing and bracing is exposed at the four corner "notches" of the building. -- wikipedia

Source: Cristián Barahona archdaily.com
Nestlé Social Block, Graneros, Chile, 2009 designed by GH+A Guillermo Hevia
The double-skin, made out of corten steel, which wraps around the building, create an avant-garde image. Constructed as a continuous surface, it protects against the solar radiation and due to its separation to the building, it creats a vertical Venturi ventilation, supplying temperated air on account of the evaporation of the surrounding pond. This metalic double skin consists out of different perforation treatments, plain sheets and black glass. -- ArchDaily

Source: Fernando Alda archdaily.com
Swimming Pool in “Bola de Oro” Sports Centre, Granada, Andalucia, Spain, 2009 designed by José Luis Rodríguez Gil
....a prism that has a skin of galvanized steel Tramex, that reinterprets the traditional lattices that allow you to see without being seen, hiding the interior and and showing the city to the users, and also serves as a solar control element.  The lattice protects the building from unwanted summer sun exposure in all its facades, and allows capture by the south side of 50% of incident radiation in winter, helping to reduce the thermal loads, and therefore, energy consumption and CO2 emissions. -- ArchDaily

Source: Miran Kambič archdaily.com
Administrative Center Jesenice, Jesenice, Slovenia, 2009 designed by Studio Kalamar
The outer skin of the building establishes a dialogue with the steel-manufacturing industrial tradition of Jesenice. Even today, many of the houses in town are red -rusty, and the facade of the administrative centre is rusty indeed due to its Corten skin. A pulsing rhythm of facade openings creates a horizontal dynamics, establishing a dialogue with dynamics of the traffic. Natural light, natural ventilation, spontaneous transition of spaces are elements that create optimal working conditions for employees as well. By using efficient Corten panel shades, use of quality window systems and good thermal insulation we created a inert energy system which will ensure very low running costs. -- ArchDaily

Source: Jeffrey Totaro archdaily.com
Boston Medical Center, Boston, Massachusetts, USA, 2011 designed by TK&A Architects
Perhaps the most engaging feature of the building’s exterior is the panelized terracotta screen on the south/southwest-facing façade, which combats solar heat gain and glare, and adds a varying degree of transparency; a contemporary spin on the traditional brick found elsewhere on the BMC campus. -- ArchDaily

Source: Daniel Schäfer archdaily.com
Headquarters Caja de Badajoz, Badajoz, Extremadura, Spain, 2011 designed by Studio Lamela Architects
The overall image of the building arose as a direct answer to the powerful Estremadura sun. In order to mitigate its impact, both facades have a double skin composed of glass on the inside and large ‘metallic’ stripes on the outside: horizontal ones in the vertical tower and vertical ones in the horizontal volume of the base. -- ArchDaily

Source: BVN Architects, archdaily.com
Monash University Student Housing, Monash, Australia designed by BVN Architects
Shared spaces and vertical circulation are located at the centre of each building encouraging interaction. The main communal spaces are double storey volumes playing an important role in connecting all levels and defining the architectural composition. -- ArchDaily

Source: Stéphane Chalmeau archdaily.com
Corim Logements, Montpellier, France, 2012 designed by MDR Architectes
The conception of the building’s crowning is voluntarily innovative and differs from previous projects: made of two boxes placed freely on the bodies of the building anchoring plots, the attic aspires to more freedom. These volumes also contrast by their coverings: fitted with fine vertical slates, the attic becomes a changing object, where brown tones dominate, giving it a lighter feel when it is in fact a solid construction. These boxes open widely towards the sea, to the south, like a tube or hollow volume. This permits the access to beautiful walk-in shielded patios for the living units located within these boxes. The unobstructed view on the park and water pond gives a special status to these apartments. -- ArchDaily

Source: AECOM archdaily.com
Envision Energy Headquarters, Jiangyin, Jiangsu Province, China designed by AECOM
The facade is composed of a perforated metallic skin that functions as a solar veil. -- ArchDaily

Source: Sharon Risedorph archdaily.com
Green Houses, Los Angeles, California, USA, 2012 designed by Sander Architects
The rest of the building skin is composed of a shade screen created by diagonal, 1” x 2” aluminum angles. Green materials and strategies include passive heating and cooling, natural daylighting, shade screens, bamboo flooring, high-performance glazing, kitchen cabinetry from FSC-certified wood, recycled glass countertops, low-flush toilets, low VOC paint, and more. -- ArchDaily

Source: Jose Campos archdaily.com
International Centre for the Arts Jose de Guimarães, Guimarães, Portugal, 2012 designed by Pitagoras Arquitectos
The coatings, a grid of metal profiles in brass and glass surfaces chromatised on ventilated façades, accentuates a range of textures that is intended display, more dense and opaque in the majority of faces in the case of the metal structure, and transparent when it covertly comes to glass surfaces that intentionally conceal the few openings that the building comprises. -- ArchDaily

Source: payette archdaily.com
Brock University, St Catharines, ON, Canada, 2012 designed by Payette – ArchitectsAlliance
....a series of glass “layers” allow daylight to penetrate deep into the building. There are also surface treatments on the glass, as well as an exterior screen wall that controls the light entering the building. The various types of glass and screens provide transparency, illumination, light filtration and privacy. -- ArchDaily

Source: Matías Pérez Illera archdaily.com
San Vicente Ferrer, Madrid, Spain, 2012 designed by James & Mau
The design of the facade is covered by regulations that require a traditional composition of arranged holes. So, we stick to this constraint by using a modern technique of ventilated facades which copies the traditional composition of holes. Also, corten steal skin creates a double bioclimatic facade that harnesses the sun as passive heating in winter and protects from it in summer. -- ArchDaily

Source: Pieter Kers archdaily.com
Het Bushok, Amsterdam, The Netherlands, 2012 designed by Borren Staalenhoef Architecten
The Cor-Ten steel building is placed on a concrete basement. Both parts were fully prefabricated, transported with a low loader truck and then assembled on site. The south façade features a large perforated section door or hatch (length 7.5 meters) wich kan be opened and parked on the roof. Except that the panel shows when the gallery is open or closed, it can be used as a sunscreen. When closed the hatch also acts as a light filter or privacy screen to enable quiet working. The perforations provide a nice filtered light. The pattern refers to the reeds along the surrounding lakes. -- ArchDaily

Source: archrecord.construction.com
Maison Escalier, Paris, France, 2012 designed by Moussafir Architectes
Electronically operated metal shutters with a laser-cut leaf pattern shade the new, glazed southern facade and provide privacy for the occupant–as well as the neighbors. -- Architectural Record

Source: G.R. Wett archdaily.com
Indoor Rock Climbing, Brixen, South Tyrol, Italy, 2012 designed by W. Meraner – M. Mutschlechner
The multi-layer facade creates a moiré effect, generating always new impressions for the moving observer and both the users inside as also the viewer outside in a dynamic relationship to the climbing gym provides. In the planning of the climbing Hall, ecological aspects and sustainability were essential. -- ArchDaily

Source: FG+SG archdaily.com
K House, Sao Paulo, Brasil, 2012 designed by Studio Arthur Casas
....perforated metal panels, with a pattern based in the photograph of a leaf. In this way the proximity of the neighbors became less oppressive and the spaces create an interesting relation with the variations of the sun. -- ArchDaily

Source: Andrés Valbuena archdaily.com
Click Clack Hotel, Bogotá, Bogota, Colombia, 2012 designed by Plan B Arquitectos
This hotel is an attempt to open or permeate the norm: it is slim and has four open facades due to side setbacks; the larger facades are set back to allow a double skin of metal and glass, and the main facade articulates urban life and cantilevers the 1.5 m allowed by the building code. -- ArchDaily

Source: Archframe archdaily.com
Dragonfly, Sangam-dong, Mapo-gu, Seoul, South Korea designed by iArc Architects
The building is fabricated with a soft inner skin and rigid outer skin as the client requested computational task environment for office. -- ArchDaily

Source: Patrick Bingham-Hall archdaily.com
Goodwood Residence, Bukit Timah Road, Singapore, 2013 designed by WOHA
Inspired by patterns of traditional Asian woven textiles and the roll up bamboo chicks of the black and white colonial houses in the vicinity, all typical apartment units (2nd storey upwards) feature fine aluminium fins orientated at 45 degrees to north-south, that are devised as operable façade screens which not only provide vertical sun shading without compromising on ventilation, but also allows user-controlled amounts of privacy as well as facade animation. -- ArchDaily

Source: Andrey Ukolov archdaily.com
Gudou Plaza, Pushkin Street, Sukhumi, Georgia, 2013 designed by Andrey Ukolov + Ekaterina Osipova
....the used façade system functions as the protection from the sun light, preserves the internal space from overheating, hides diaphragm plate fitted behind the glazing (the building situated in earthquake-prone zone). Façade segments are pre-fabricated details and made from aluminum profile. Maintenance scaffolds are placed between two surfaces of the glazing. -- ArchDaily

Source: Sergio Grazia archdaily.com
Housing in Le Havre, Le Havre, France, 2013 designed by PHD Architectes
The project’s volume mass and simplicity contrast with the envelope’s lightness, which is especially sophisticated given the program it encompasses. The outside insulation over the bare concrete is protected by a first sound- and water-proof skin to which the metallic cladding is attached. -- ArchDaily
Source: 11h45 archdaily.com
Auditorium Of Bondy & Radio France Choral Singing Conservatory, Bondy, France designed by PARC Architectes
The architecture of the building plays with the aesthetics of the hangar : a very simple square plan and an undulated metal skin. Unlike a traditional hangar, it opens to its context through a series of arches, letting in natural light and views. Inside, every space has a specific acoustics related to its function and its ambiance. -- ArchDaily

Sunday, March 4, 2012

Fluid Forms 4

Source: archdaily.com
Mimesis Museum, Paju Book City, Republic of Korea, 2009 designed by Alvaro Siza + Castanheira & Bastai Arquitectos Associados + Jun Sung Kim
Form will be given by cast concrete, light grey, the colour of a cat. Inside, the white of the walls and ceilings, of the marble, which we hope will be from Estremoz and also the honey colour of Oak. Timber for the internal frames, and glass. As for the external windows, timber, painted steel and crystalline glass. -- ArchDaily

Source: Shu He archdaily.com
Ordos Art & City Museum, Ordos, Inner Mongolia, China, 2011 designed by MAD Architects
.... an amorphous building that seems like it has landed on the earth. The structure is wrapped in polished metal louvers to reflect and dissolve the planned surroundings. This results in a solid, windowless, building firmly anchored to the ground. This shell encloses a interior totally separate from the urban reality. -- ArchDaily

Source: John Lewis Marshall archdaily.com
Puur Pavilion, Amsterdam, The Netherlands, 2012 designed by emma Architecten
Paviljoen Puur is located on the exact site of a former soldiers shelter. The footprint of this shelter was taken as the basis for the pavilion. Around its base a wooden wall curves up to protect the site and encompass the program. The design is inspired by the undulating forms of the slopes and the surrounding landscape. Openings in the sloping wall give views of the gun bays, a terrace and the direction of the island Pampus, the next fortress of defence line. -- ArchDaily

Source: Arkispazio archdaily.com
Museum MUMAC, Milan, Italy, 2012 designed by Arkispazio
The facades of the museum are covered with strips of metal “red Cimbali”, sinuous and enveloping to resemble the waves of hot coffee, which at night filters the artificial light creating a striking illuminated reticle that evokes the energy of MuMAC. -- ArchDaily

Source: Fabien Terreaux and Amoor Maadi archdaily.com
Shining Lighthouse in Belfort, Belfort, France, 2012 designed by Archi5
The facade has a flexible movement along the landscape and recalls the dynamism of sports activities. Concave and convex folds react to straight lines. A translucent glass covers the building allowing the entrance of natural light. At night, the building becomes a bright beacon that reflects the events that take place within it. It is firmly anchored to the hillside and the glass fits perfectly into the artificial topography. In turn, the glass appear to be separated, almost floating. -- ArchDaily

Saturday, March 3, 2012

Urban Spaces: Square 3

Source: wikipedia.org
Plaça Reial, Barcelona, Spain
Plaça Reial (In Spanish Plaza Real, meaning "Royal Plaza") is a square in the Barri Gòtic of BarcelonaCataloniaSpain. It lies next to La Rambla and constitutes a well-known touristic attraction, especially at night.The Plaça Reial was designed by Francesc Daniel Molina i Casamajó in the 19th century. The lanterns there were designed by the Catalan architect Antoni Gaudí. -- Wikipedia

Source: wikipedia.org
Plaza Mayor, Madrid, Spain
The Plaza Mayor was built during the Habsburg period and is a central plaza in the city of Madrid, Spain. The Plaza Mayor is rectangular in shape, measuring 129 by 94 metres, and is surrounded by three-story residential buildings having 237 breathtaking balconies facing the Plaza. It has a total of nine entranceways. The Casa de la Panadería, serving municipal and cultural functions, dominates the Plaza Mayor. -- Wikipedia

Source: wikipedia.org
Plaza Mayor, Salamanca, Spain
It was built in the traditional Spanish baroque style and is a popular gathering area. It is lined by restaurantsice cream parlors, tourist shopsjewelry stores and a pharmacy along its perimeter except in front of the city hall. It is considered the heart of Salamanca and is widely regarded as one of the most beautiful plazas in Spain. -- Wikipedia

Friday, March 2, 2012

Urban Spaces: Square 2

These are urban spaces with rectangular shapes and bounded by streets or a landmark building:
Source: wikipedia.org
Bryant Park, New York City, New York, USA
The Rockefeller Brothers created the Bryant Park Restoration Corporation (BPRC), under the founding leadership of Andrew Heiskell, then Chairman of Time Inc. and the New York Public Library, and Daniel A. Biederman, a Harvard Business School graduate and systems consultant with a reputation as an innovator in downtown management. Heiskell and Biederman, in 1980, created a master plan for turning around the park. 
Bryant Park reopened in April, 1992, to lavish praise from citizens and visitors, the media, and urbanists. -- official web site 

Source: geograph.org.uk

Manchester Square, London, UK
Manchester Square, west of Bentinck street, has a central private garden with handsome plane trees, laid out in 1776. The mansion on the north side of the Square, now the home of the Wallace Collection that features world-class French eighteenth-century painting, porcelains and furniture, once housed the Spanish ambassador, whose chapel was in Spanish Place. -- Wikipedia

Source: Scott Pease archdaily.com
Perk Park, Cleveland, Ohio, USA, 2012 designed by Thomas Balsley Asociates with Jim McKnight
.... as part of Pei’s urban renewal scheme. The first park on the site was completed in 1972: a New Brutalist ensemble of heavy concrete planters surrounding a sunken plaza, the old park quickly became a favorite haunt of vagrants and pigeons, an unloved and underused blight in the middle of the bustling central business district. 
The new park greets the street courtesy of what Balsley describes as a “forest and meadow” concept. Shade trees, as well as modified versions of the original planted mounds, are preserved from the old design; but now they’re complimented by a wide-open lawn sitting atop the former central sink, punctuated by a sculptural knoll perfect for daylight lounging. -- ArchDaily

Thursday, March 1, 2012

Urban Spaces: Squares

These are urban spaces with rectangular shapes and bounded by four streets on all sides:
Source: wikipedia.org
Place des Vosges, Paris, France
Originally known as the Place Royale, the Place des Vosges was built by Henri IV from 1605 to 1612. A true square (140 m x 140 m), it embodied the first European program of royal city planning. -- Wikipedia

Source: westminster.gov.uk
St. James's Square, London, UK
This is a typical London Square with four entrances, one on each side.
A tarmac path with rolled gravel skirts the square with a shrub bed and railings adjacent to the road. The four paths join a central circular path around a central circular grass area with a statue man on horseback on a plinth in the centre of the square entitled "Gulielmus III".
The square is predominantly surrounded by Georgian and neo-Georgian architecture and remains a privately owned and managed garden. -- official web site
Read a description from Wikipedia 

Source: wikipedia.org
Soho Square, London, UK
Soho Square is a square in Soho, London, England, with a park and garden area at its centre that dates back to 1681. It was originally called King Square after Charles II, whose statue stands in the square. At the centre of the garden, there is a distinctive half-timbered gardener's hut. During the summer, it hosts open-air free concerts. -- Wikipedia

Source: lookfunguide.com
Russell Square, Bloomsbury District, London, UK
Bloomsbury is one of the greenest parts of London, and famous for its formal squares. Russell Square is the most renowned square in London.
Queen Square, Bath, UK
Queen Square. Its the biggest square in Bath and hosts many events through the year, French markets, Italian Markets, with an annual event called Boules, weekend where all the restaurants compete with each other,lots of fun, you can buy drink and food. -- official web site
Read a description from Wikipedia 

Source: wikipedia.org
Alamo Square, San Francisco, California, USA
Alamo Square is a residential neighborhood and park in San FranciscoCalifornia. A row of Victorian houses facing the park on Steiner Street, known as the "Painted Ladies", are often shown in the foreground of panoramic pictures of the city's downtown area. --Wikipedia

Source: wikipedia.org
Union Square, San Francisco, California, USA
Union Square is a plaza of 2.6 acres (11,000 m2) bordered by Geary, Powell, Post and Stockton Streets in San Francisco,California. -- Wikipedia
Placemaking: Union Square, San Francisco, ASLA 2001 Merit Award - Communication

Hall of Shame on Project for Public Spaces
The result is like the proverbial camel, neither hard nor soft, with no clear focus or purpose, and cluttered beyond belief with tchotchkes, no doubt meant to "enliven" the users experience but which merely supplant any genuine engagement with others or with the city. Worse still, they tore out an old and beloved space to build this travesty. -- PPS
Source: williamfrenzullimd.blogspot.com
Union Square, watercolor, 22x43 framed by William Renzulli